Posts Tagged ‘St. John’s’
This post might upset a whole bunch of you. I am okay with that.
My social media feed on an almost weekly basis fills up with outraged posts about mainstream media not covering issue X. Stop doing that because most of the time it’s not true. It hasn’t been true with the Muskrat Falls development in Labrador, it hasn’t been true with the refugee crisis, and it’s not true with the Dakota Access Pipeline. So please stop saying that kind of stuff because you become the problem every time you say it. There is lots of coverage of any given issue. For the sake of the argument, I am going to post stuff that is in my news feed TODAY on Dakota Access Pipeline and the protests surrounding it (I could do the same with climate change, refugees, you name it):
- There is a really interesting map on the front page of online New York Times this morning that does a good job of giving us the sense of geography and it outlines some of the concerns.
- NPR has a good story on the woman injured in the protest earlier this week who may lose her arm.
- CBC’s Unreserved has a fantastic set of stories on Standing Rock.
- Vogue (VOGUE!!!) has a story and a photo essay by no other than Alessandra Sanguinetti on Standing Rock.
- Independent podcaster Scott Carrier, formerly of NPR, has the first episode in a multi-part series on Standing Rock on air.
- The Guardian also has a story today on Standing Rock.
- So does the Toronto Star.
- And while I was writing this, somebody reposted this story by Magnum’s Larry Towell I had posted some time ago.
So please stop it. You are all smarter than that. Please stop saying that mainstream media is not covering your favourite issue of the day. They are. They are also covering a whole bunch of other stuff that is just as important (like deforestation in Borneo, or migrant and refugee crisis, or the latest developments in Kurdistan). If you think the coverage of whatever issue you care about is biased or incomplete, than engage with those stories and journalists. Provide facts in your comments, suggest sources that would make the story better, offer your own expertise if you have it. Vast majority of today’s journalists can be reached through comments or social media. It’s really, really easy to help them correct a mistake or make their stories better.
There are a lot of problems with today’s media industry. They need to figure out a whole bunch of things. You telling them they are not doing their jobs when THEY CLEARLY ARE is not helping. Once independent, professional journalism is gone, you are not going to get it back. Your favourite site that posts unedited and out of context phone videos on social media, or an individual who thinks it’s cool to post a 47 years old photo and claim that the media is not properly covering an event, are not going to be an adequate replacement for thoughtful coverage of complex issues. Whether you like it or not, thoughtful, in-depth coverage requires significant resources, multitude of skills, structures, and editorial oversight. There are some interesting funding models that make that possible outside of a typical corporate structure – crowdfunding, voluntary subscriptions, paywalls, collaborations with public agencies or not-for profits, co-ops, social enterprise models and so on. Not a single one of these or all of them taken together can, at this point, replace the resources, the reach, the depth, and the skill that the New York Times, the Star, CBC, or the Guardian can bring to covering an issue. So let’s help journalists and reporters do their jobs better while they are trying to do a heck of a lot more with a heck of a lot less then ever before.
Also, if you want independent, long-form journalism in Atlantic Canada you can support The Deep and their crowdfunding campaign right here.
The photograph is from a recent protest against Muskrat Falls hydro development project in front of the Colonial Building in St. John’s, NL.
I was on vacation so I am late to this story, but I do want to write a few words because this is important stuff. About a week ago local reporter Tara Bradbury wrote an excellent opinion piece on what happened to her when she wrote a straight-up story previewing a feminist festival/art show/workshops event scheduled to take place in St. John’s later that week. The comments ranged from creepy to criminal misogyny.
This stuff has been happening for a long time and it needs to stop. The only good thing I can say about it is that we are finally talking about it more openly then ever before. Tara did a great job locally. Canadaland has been talking about the harassment and misogyny women have to put up with in media organizations for some time now. Whatever you think about Jesse Brown, this is the guy who broke Ghomeshi story and has been covering the situation at the Toronto Star together with other media. The world of photojournalism is no better. Colin Pantall’s blog has a couple of good posts about what happens to women in photojournalism and photography in general (here and here) and it should make you furious.
The fact that we have amazing women working in the media and in photojournalism despite the daily insults and misogyny they experience is a testament to just how committed and how good they are at what they do. So for this post, here is a bunch of links to some pioneering and contemporary female photojournalists doing stellar works. This list could go on and on, but this will do for now:
[LENS] has a story about pioneering women photographers in Mexico.
Ruth Fremson, wrote a story about women in photojournalism for [LENS]
And for the end I want to send you to three exceptional female photographers who were among those whose work was featured in June 2015 issue of National Geographic. What was remarkable about that particular issue was that majority of the stories were photographed by women and the difference in tone, style and subject matter was noticeable. We need those voices because they tell us very different stories. Spend some time with the work of Lynn Johnson, Stephanie Sinclair (Stephanie seems to be rebuilding her website so follow her on Instagram), and Carolyn Drake – you’ll be glad you did.
I am full of announcements this week and not even done yet. The next in line is the announcement of a new ‘professional’ website. Now, I’ve been told in no uncertain terms that I am not a professional artist so, you know, it is what it is.
There was an earlier version of the website that a lot of smart and helpful friends looked at and made some great suggestions. I accidentally deleted that site (very thoroughly, I might add) so this is a professional website for an unprofessional artist 2.0 and I have to say I am much happier with it. It is much better for all the comments, suggestions, and critique that the poor, disappeared 1.0 version was subjected to. There are still some suggestions that I would like to implement in the future, but I thought I’d launch what I have rather than wait until it’s “perfect.”
And for all the joking about being told that I am not a professional artist, that is certainly true. And so the tagline on the site is actually something I feel is much more appropriate and much closer to how I feel about the photography I do.
And of course, feel free to offer comments, critiques, or anything else you feel like dishing out.
We went for a walk and as we were passing through the Bannerman Park, this guy stopped us all excited about the dragon fly that landed on his shirt. We had a great chat. He and his girlfriend very much liked the fact that the Croatian word for a dragon fly translates as “a fairy’s steed.”
What would a St. John’s summer be without the Royal St. John’s Regatta?
“Since no genuine enemy exists, he has to be invented. And as universal experience demonstrates, the most terrible enemy is an invented one. I assure you, it will be an incredibly gruesome monster. The army will have to be doubled in size.”
The Doomed City by Arkady and Boris Strugatsky
The photograph above was made along a path following the Rennie’s River. That graffito with its careful punctuation marks and precise legibility is my new favourite thing.
And a few photography links just because:
Streets of St. John’s are empty at the best of times. On a long-weekend Sunday so sunny and warm you’d be forgiven if you thought you are somewhere much more south than Newfoundland, the chance of running into anybody on the streets is virtually nil. And yet, I ran into this family taking photographs in front of their house. The nephew, driving an old Buick with a maple leaf and a 10 of stripes on its hood, is on a trip of a lifetime – right across Canada. He’s done the Maritimes, is about to finish Newfoundland and then he will be heading west. He stopped to say hi to his relatives.
I had a blast making the photographs both for myself and some with the family’s cameras for them. I haven’t really done anything on the street in a while and I forgot how much I enjoy the encounters and stories street photography in a small town makes possible. This encounter was different only inasmuch as I was ever so slightly jealous of their road trip. It’s been a long while since I went anywhere with nothing better to do but wander. I would like a long road trip.
Here are a couple of road links courtesy of New York Times: “The Open Road: Photography and the American Road Trip,” and “A Comprehensive Look at California and the West.”
You’d think that now that I produce regular content, I’d be able to update this blog. Not so, apparently!
The latest episode of Rural Routes is up and it’s really good, even if I say so. Dr. Arn Keeling and Dr. John Sandlos talk about mining industry in Canadian North and the environmental legacy of large mining projects. Give it a listen – it’s an episode with zombies, enough arsenic to kill everybody on the planet, and a message of hope. What more could you ask for?
The photo was made in Middle Cove just outside of St. John’s, Newfoundland.
A neglected blog. Out of necessity, I might add, because in three weeks, through my work, I am going to launch an exciting new project that I think the readers of the blog will like as well. Stay tuned. In the meantime, enjoy the photo links on this snowy Thursday:
A fascinating story about an American photographer Louise Draper. Really excellent work and it is indeed interesting that he languishes in obscurity.
On lensculture, go see Javier Corso’s Fishshot. It’s an interesting project about issues of loneliness and violence plaguing Finland of all places. I am not sure what I think about the photographs and his approach, but he raises important questions.
Check out these charming Portuguese “lonely houses” work of photographer Manuel Pita who goes by the nom de plume (or is it nom de lumière for photographers) Sejkko. You can follow his work on instagram.
Photographer Viktor Egyed based in Slovakia has a lovely set of images from a village called Szödliget in Hungary.
Robert Götzfried, a Munich, Germany based photographer, has a set of images from his trip on the backroads of the southern United States.
Contemplative, serene seascapes of Hiroshi Sugimoto are a wonder. You’ll love it.
At first, reading the stories about newly elected (installed? appointed?) Croatian government run by a group of right wing political parties calling themselves the Patriotic Coalition was like watching a Monty Python skit. From a safe distance of some 5,000 km, it was almost funny. It isn’t any more. It is rapidly becoming a horror show.
More that a hundred years ago, speaking in San Francisco, Emma Goldman described what we call patriotism in terms that ring very much true today:
“Patriotism […] is a superstition artificially created and maintained through a network of lies and falsehoods; a superstition that robs man of his self respect and dignity, and increases his arrogance and conceit. Indeed, conceit, arrogance and egotism are essentials of patriotism.”
The photograph was made in St. John’s, NL.
Today, there is more news about layoffs in Canadian media industry. This time it’s not the CBC that is getting decimated, but Postmedia. They are laying off 90 reporters and merging newsrooms in Calgary, Vancouver, Edmonton, and Ottawa. In the meantime, the people responsible for the chaos are collecting seven and six figure salaries. I guess it takes enormous effort to be consistently that greedy and incompetent. The situation is no better in Halifax where the unionized employees of the Chronicle Herald have voted in favour of a strike action after the management presented a truly reprehensible list of demands.
All of it is a bit of a deja vu, to be honest. In 1999 and 2000, Ms. M and I worked for a small news agency covering southern Alberta for major metro dailies. Those were contract positions filled mostly by students like us and they required that you have your own equipment and a car and that you work from home. We lived in a small bachelor apartment in Inglewood and, honestly, those were sweet times. We were newlyweds and we thought we were making inroads in the media industry. Then the Calgary Herald strike happened. It lasted a year if I remember correctly. At one point, about half way through the strike, we were all hauled into a meeting with our editor and this guy they brought from Ontario (St. Catherine’s, I think) as the new publisher whose job was to bust the union. He intermittently yelled at us and tried to sweet-talk us into crossing the picket line. When it became obvious, with the exception of one person, that none of us had any intention of doing so, he told us he will make sure none of us ever worked in the media industry in western Canada. He was true to his word. As far as I know, none of us did – except the guy who crossed the picket line. That asshole who threatened us? He has recently published a book about leadership.
It became quickly obvious to me and Ms. M. that if we wanted media jobs, the best we could do was to move and so we did. A couple of months after we left, the Calgary Herald strike ended. One of the conditions was that the union had to be dissolved.
On this week’s episode of Canadaland, Jesse Brown has a conversation with Nora Loreto about the role of unions in Canadian media. In the interest of full disclosure you should know that I do support the show financially with a subscription. In this episode Jesse Brown, the host of Canadaland, is his usual somewhat pompous and somewhat unaware-of-the-world-outside-of-his-bubble self and Nora Loreto doesn’t appear to understand anybody younger than 35, but I think it was very important to have that conversation publicly. We need unions more than ever, but something needs to change and it needs to change quickly. The unions have to figure out how to make themselves relevant to a new generation of workers – journalists included.
In 2000, we did not cross the picket line because we had respect for the Herald journalists. We were never approached by the union, never offered their side of the story, nobody explained to us what was at stake. In the end, they were just lucky we felt solidarity with the people we saw as our colleagues. Or maybe we were just not yet aware that it would take another 15 years before we paid off our student loans. They can’t expect to be that lucky all of the time.
In the photo is a decidedly non-unionized shoeshiner on the Water Street in St. John’s
The photograph above was made on my way to work one day. I have no idea why these old suitcases were left outside by the fence – probably just for garbage pick up.
Time for some geography links. I haven’t done that in a while.
Let’s start with the worst news in a while as far as magazine industry, and to an extend geography goes. In Canada, geography is very poorly taught in primary, elementary, and secondary school system. To make things worse, even our national popular magazine about geography, Canadian Geographic, is so abysmal we actually did not renew our subscription. So the fact that National Geographic has been purchased by Fox is really tragic. National Geographic is not a perfect magazine, but it is the best magazine on the market that promotes geographic knowledge and encourages interest in the world we live in. It has a strong American bias and a share of other issues, but we had subscription for years. I read every issue and the girls are starting to read stories that are of interest to them. I would like to think that editorial independence and high standards, especially when it comes to visuals will remain as they are or get better, but Fox’s track record is not good. Not cancelling my subscription yet, but watching closely.
After you contemplate the terrifying concentration of the global media ownership, head over to the Economist and take a look at a story that claims that the EU will soon have more internal physical barriers to movement of people than it did during the Cold War.
The rest of the links should be a little bit less pessimistic.
Lucas Foglia has been photographing American West and is concerned about what rural America will look like: “What is going to allow people to continue to live in the rural American West and how are we going to preserve or use the wild land we have left?”
Cornell University Library and its Division of Rare & Manuscript Collections has made public an amazing collection of persuasive cartography. Watch out, it’s highly addictive and you may find yourself wasting ridiculous amount of time – although, in my books, that would not be time wasted.
Two somewhat connected and fascinating stories. The first one looks at just how powerful oral traditions are as repositories of community knowledge. University of Sunshine Coast geographer Patrick Dunn’s research demonstrated that some Australian Aboriginal stories preserve environmental and ecological memories and knowledge stretching as far back as 7,000 years. The second story comes from the world of art and focuses on incredible work by an Australian Aboriginal painter Warlimpirrnga Tjapaltjarri. The fascinating thing is that his intricate paintings are not just visually impressive, but also serve as a repository of community stories. The code is incomprehensible to us, but those who understand it have an access to a lot more than a visually arresting work.
One of my favourite things to photograph in St. John’s is the Royal St. John’s Regatta. It takes place on such a massive scale and in such a uniquely St. John’s way that nothing else really compares to it. Every year, I promise myself that I will spend some time photographing the actual rowers who spend months preparing for the event and I yet have to do that. The crowds are just too compelling. Here are a few photographs from this year’s festivities.
For gear heads: This was all Tri-X in Rodinal.
What would Christmas time in Newfoundland be without Mummers’ Parade? The last year’s parade was brutally cold. The batteries in my Zeiss Ikon froze twice. This year, it was unseasonably warm with light rain. Still, loads of fun…
Little Miss F. is seven today. Seven! When her big sister turned seven some years back, as a practical joke, I told her that it is an ancient Croatian tradition that a child for her seventh birthday gets a list of chores she is expected to do. Today, almost five years later, she reminded me of that and told me she will always consider that list as one of her birthday presents…
A family photo in honour of Day 2 of single parenthood. We miss our fabulously smart researcher currently exploring rural Newfoundland.
Some time ago, during a very short conversation with Dr. Robert Finley, he made a remark I have been thinking about ever since. He said that every family photo album is, in fact, an oral history. I like that – a lot.
The photo above is from last fall. I think that’s the only time I’ve ever seen somebody actually using those phones. And the fact that they are wearing shades is just icing on the cake.
Thanks to Brandon Manitoba based photographer Colin Corneau, I had the pleasure of watching this documentary on William Klein and you should watch it too. It’s fabulous.
And to go with the photos here is New Brunswick bluesman Matt Andersen and his version of “Last Letter Home”
For once, there is no need for a comment…
Mummers were here again. And was it ever cold. In fact, it found the limit of my Zeiss Ikon – the batteries lasted about 20 minutes in sub -20˚C. After that, I was back to my mechanical Yashica Mat 124G, which is not bothered by such trifles as batteries. This was also a chance to try some stand development in Rodinal. This is Arista Premium 400 in 135 format and Tri-X in 120 format, both developed for an hour in 1:100 Rodinal with agitation in the first minute. Not yet sure what I think about the results.
It’s so cold outside. Here is a photo from this summer’s buskers’ festival downtown St. John’s. It was a lovely hot day…
We just watched Everybody Street, a documentary about street photography in New York featuring some of the most prominent photographers working in that particular broad genre. The trailer is bellow. Best $5 I’ve spent lately.
[embed width=”500″ height=”400″]https://vimeo.com/ondemand/everybodystreet[/embed]