Posts Tagged ‘Canada’
I have been away from Newfoundland for three weeks out of past five. I am officially homesick. The photos are from Bonavista.
I was on vacation so I am late to this story, but I do want to write a few words because this is important stuff. About a week ago local reporter Tara Bradbury wrote an excellent opinion piece on what happened to her when she wrote a straight-up story previewing a feminist festival/art show/workshops event scheduled to take place in St. John’s later that week. The comments ranged from creepy to criminal misogyny.
This stuff has been happening for a long time and it needs to stop. The only good thing I can say about it is that we are finally talking about it more openly then ever before. Tara did a great job locally. Canadaland has been talking about the harassment and misogyny women have to put up with in media organizations for some time now. Whatever you think about Jesse Brown, this is the guy who broke Ghomeshi story and has been covering the situation at the Toronto Star together with other media. The world of photojournalism is no better. Colin Pantall’s blog has a couple of good posts about what happens to women in photojournalism and photography in general (here and here) and it should make you furious.
The fact that we have amazing women working in the media and in photojournalism despite the daily insults and misogyny they experience is a testament to just how committed and how good they are at what they do. So for this post, here is a bunch of links to some pioneering and contemporary female photojournalists doing stellar works. This list could go on and on, but this will do for now:
[LENS] has a story about pioneering women photographers in Mexico.
Ruth Fremson, wrote a story about women in photojournalism for [LENS]
And for the end I want to send you to three exceptional female photographers who were among those whose work was featured in June 2015 issue of National Geographic. What was remarkable about that particular issue was that majority of the stories were photographed by women and the difference in tone, style and subject matter was noticeable. We need those voices because they tell us very different stories. Spend some time with the work of Lynn Johnson, Stephanie Sinclair (Stephanie seems to be rebuilding her website so follow her on Instagram), and Carolyn Drake – you’ll be glad you did.
For the past few months I have been facilitating a series of discussions on Bell Island as a part of my day job. Not much time to make photographs, but here are a few from the ferry crossing…
Remember I said I had more announcements? If you are in Newfoundland and Labrador and are planning a trip to Boavista, stop at the Ryan Premises National Historic Site. Some of the prints from the Small Islands series are on display there together with amazing work by Michael Pittman, Robert McNair, Cynthia Kremerer and several others. The show is a part of the 2016 Bonavista ArtWalk. The show is up until September 5.
Beautiful Bonavista and an iPhone 5s photo.
I am full of announcements this week and not even done yet. The next in line is the announcement of a new ‘professional’ website. Now, I’ve been told in no uncertain terms that I am not a professional artist so, you know, it is what it is.
There was an earlier version of the website that a lot of smart and helpful friends looked at and made some great suggestions. I accidentally deleted that site (very thoroughly, I might add) so this is a professional website for an unprofessional artist 2.0 and I have to say I am much happier with it. It is much better for all the comments, suggestions, and critique that the poor, disappeared 1.0 version was subjected to. There are still some suggestions that I would like to implement in the future, but I thought I’d launch what I have rather than wait until it’s “perfect.”
And for all the joking about being told that I am not a professional artist, that is certainly true. And so the tagline on the site is actually something I feel is much more appropriate and much closer to how I feel about the photography I do.
And of course, feel free to offer comments, critiques, or anything else you feel like dishing out.
New episode of Rural Routes is out. This time, we feature a conversation with Canadian author Michael Crummey. In his recent book Sweetland, he wrote about a very contemporary rural and that is, in many ways, a rarity. We talked about rural childhoods, and romanticized versions of rurality that are not true to reality of contemporary rural lives. It’s a good one!
The photo is Gros Morne National Park last winter.
We went for a walk and as we were passing through the Bannerman Park, this guy stopped us all excited about the dragon fly that landed on his shirt. We had a great chat. He and his girlfriend very much liked the fact that the Croatian word for a dragon fly translates as “a fairy’s steed.”
What would a St. John’s summer be without the Royal St. John’s Regatta?
So apparently I’ve been an idiot for the past 20 years. Every time I develop film or make prints I also develop a rather nasty case of dermatitis. It’s not contagious, just uncomfortable and bad for me, and aesthetically – well, let’s just say I’d understand if you didn’t want to shake hands with me and were wondering why I am not in some sort of quarantine.
It turns out, broadly, that there are two kinds of photo developers. There are those developers that use metol as a developing agent and those developers that use phenidone as a developing agent. Well guess what… Most developers I use are metol-based and metol is a known cause of dermatitis. Phenidone-based developers, on the other hand, tend not to cause skin reaction. So all I have to do is switch to a phenidone-based developer and I am good to go. And it gets better: phenidone is a much more potent developer than metol so you can make more of a working solution with less chemicals. It’s significantly more environmentally friendly and some of phenidone-based developers, like Kodak Xtol, are practically hypoallergenic. Arghhh…
So why do I suddenly know all this? Because I was asked to work with a team of researchers here at Memorial University as their artist-in-residence-kind-of-person. I was researching developers to understand what could happen if we add certain unusual components to different developers and in the process learned something I wish I knew 20 years ago. I have no idea what is that this collaboration is going to look like or produce, but it should be fun.
The photo was made earlier this year when Little Miss F. and I went for a photo walk and yes, she is using film 😉
“Since no genuine enemy exists, he has to be invented. And as universal experience demonstrates, the most terrible enemy is an invented one. I assure you, it will be an incredibly gruesome monster. The army will have to be doubled in size.”
The Doomed City by Arkady and Boris Strugatsky
The photograph above was made along a path following the Rennie’s River. That graffito with its careful punctuation marks and precise legibility is my new favourite thing.
And a few photography links just because:
Streets of St. John’s are empty at the best of times. On a long-weekend Sunday so sunny and warm you’d be forgiven if you thought you are somewhere much more south than Newfoundland, the chance of running into anybody on the streets is virtually nil. And yet, I ran into this family taking photographs in front of their house. The nephew, driving an old Buick with a maple leaf and a 10 of stripes on its hood, is on a trip of a lifetime – right across Canada. He’s done the Maritimes, is about to finish Newfoundland and then he will be heading west. He stopped to say hi to his relatives.
I had a blast making the photographs both for myself and some with the family’s cameras for them. I haven’t really done anything on the street in a while and I forgot how much I enjoy the encounters and stories street photography in a small town makes possible. This encounter was different only inasmuch as I was ever so slightly jealous of their road trip. It’s been a long while since I went anywhere with nothing better to do but wander. I would like a long road trip.
Here are a couple of road links courtesy of New York Times: “The Open Road: Photography and the American Road Trip,” and “A Comprehensive Look at California and the West.”
With the last episode of Rural Routes we waded into the territory of knowledge. Local knowledge. You can hear an artist and a scholar Pam Hall talking about her project Towards the Encyclopedia of Local Knowledge.
The photo was made on Fogo Island two years ago. It’s been a while since we were there.
You’d think that now that I produce regular content, I’d be able to update this blog. Not so, apparently!
The latest episode of Rural Routes is up and it’s really good, even if I say so. Dr. Arn Keeling and Dr. John Sandlos talk about mining industry in Canadian North and the environmental legacy of large mining projects. Give it a listen – it’s an episode with zombies, enough arsenic to kill everybody on the planet, and a message of hope. What more could you ask for?
The photo was made in Middle Cove just outside of St. John’s, Newfoundland.
New Rural Routes episode is out. This time, my guest was Bill Reimer, a sociologist at Concordia University in Montreal. Bill has been looking into all matters rural for over 40 years and still looks forward to every encounter that can help him understand rural Canada a little bit better. I’ve been joking that if there were such a thing as a rural council of the wise, he would be Gandalf of that council. Enjoy the show!
The photograph was made on Change Islands quite some time ago. This man is spreading kelp in his garden as fertilizer. I really wish I could go back there more often.
A bit of an announcement post. For the past few months I have been quietly working on a project that is now ready to be made public. As many of you know, my day job is very much focused on rural Newfoundland and Labrador and through that job I get to work with a lot (you should probably read that most) of rural researchers in this country and some from further abroad. After a while, it became obvious that most of the research I was aware of never makes it into the public domain. So, as part of my job, I decided to start a podcast. A colleague with a particular flair for copy writing named it Rural Routes. Over the coming weeks you will be able to hear interviews with rural researchers, writers, entrepreneurs, artists, fishers and farmers. We are hoping to get some funding in place that would allow us to do a little bit more down the road. For now, go to www.ruralroutespodcasts.com and hear what we have on air.
The photo was made sometime last year with my phone in Port Rexton, NL.
A neglected blog. Out of necessity, I might add, because in three weeks, through my work, I am going to launch an exciting new project that I think the readers of the blog will like as well. Stay tuned. In the meantime, enjoy the photo links on this snowy Thursday:
A fascinating story about an American photographer Louise Draper. Really excellent work and it is indeed interesting that he languishes in obscurity.
On lensculture, go see Javier Corso’s Fishshot. It’s an interesting project about issues of loneliness and violence plaguing Finland of all places. I am not sure what I think about the photographs and his approach, but he raises important questions.
Check out these charming Portuguese “lonely houses” work of photographer Manuel Pita who goes by the nom de plume (or is it nom de lumière for photographers) Sejkko. You can follow his work on instagram.
Photographer Viktor Egyed based in Slovakia has a lovely set of images from a village called Szödliget in Hungary.
Robert Götzfried, a Munich, Germany based photographer, has a set of images from his trip on the backroads of the southern United States.
Contemplative, serene seascapes of Hiroshi Sugimoto are a wonder. You’ll love it.
At first, reading the stories about newly elected (installed? appointed?) Croatian government run by a group of right wing political parties calling themselves the Patriotic Coalition was like watching a Monty Python skit. From a safe distance of some 5,000 km, it was almost funny. It isn’t any more. It is rapidly becoming a horror show.
More that a hundred years ago, speaking in San Francisco, Emma Goldman described what we call patriotism in terms that ring very much true today:
“Patriotism […] is a superstition artificially created and maintained through a network of lies and falsehoods; a superstition that robs man of his self respect and dignity, and increases his arrogance and conceit. Indeed, conceit, arrogance and egotism are essentials of patriotism.”
The photograph was made in St. John’s, NL.
Today, there is more news about layoffs in Canadian media industry. This time it’s not the CBC that is getting decimated, but Postmedia. They are laying off 90 reporters and merging newsrooms in Calgary, Vancouver, Edmonton, and Ottawa. In the meantime, the people responsible for the chaos are collecting seven and six figure salaries. I guess it takes enormous effort to be consistently that greedy and incompetent. The situation is no better in Halifax where the unionized employees of the Chronicle Herald have voted in favour of a strike action after the management presented a truly reprehensible list of demands.
All of it is a bit of a deja vu, to be honest. In 1999 and 2000, Ms. M and I worked for a small news agency covering southern Alberta for major metro dailies. Those were contract positions filled mostly by students like us and they required that you have your own equipment and a car and that you work from home. We lived in a small bachelor apartment in Inglewood and, honestly, those were sweet times. We were newlyweds and we thought we were making inroads in the media industry. Then the Calgary Herald strike happened. It lasted a year if I remember correctly. At one point, about half way through the strike, we were all hauled into a meeting with our editor and this guy they brought from Ontario (St. Catherine’s, I think) as the new publisher whose job was to bust the union. He intermittently yelled at us and tried to sweet-talk us into crossing the picket line. When it became obvious, with the exception of one person, that none of us had any intention of doing so, he told us he will make sure none of us ever worked in the media industry in western Canada. He was true to his word. As far as I know, none of us did – except the guy who crossed the picket line. That asshole who threatened us? He has recently published a book about leadership.
It became quickly obvious to me and Ms. M. that if we wanted media jobs, the best we could do was to move and so we did. A couple of months after we left, the Calgary Herald strike ended. One of the conditions was that the union had to be dissolved.
On this week’s episode of Canadaland, Jesse Brown has a conversation with Nora Loreto about the role of unions in Canadian media. In the interest of full disclosure you should know that I do support the show financially with a subscription. In this episode Jesse Brown, the host of Canadaland, is his usual somewhat pompous and somewhat unaware-of-the-world-outside-of-his-bubble self and Nora Loreto doesn’t appear to understand anybody younger than 35, but I think it was very important to have that conversation publicly. We need unions more than ever, but something needs to change and it needs to change quickly. The unions have to figure out how to make themselves relevant to a new generation of workers – journalists included.
In 2000, we did not cross the picket line because we had respect for the Herald journalists. We were never approached by the union, never offered their side of the story, nobody explained to us what was at stake. In the end, they were just lucky we felt solidarity with the people we saw as our colleagues. Or maybe we were just not yet aware that it would take another 15 years before we paid off our student loans. They can’t expect to be that lucky all of the time.
In the photo is a decidedly non-unionized shoeshiner on the Water Street in St. John’s
We had a What-do-you-want-for-Christmas? conversation:
Me (pompously): “For Christmas, I want a book that will challenge me, introduce me to new ideas, and make me a better person.”
Little Miss F.: “So you want a book on how to treat your children properly?”
The photo was made during a recent walk in Middle Cove.
The photograph above was made on my way to work one day. I have no idea why these old suitcases were left outside by the fence – probably just for garbage pick up.
Time for some geography links. I haven’t done that in a while.
Let’s start with the worst news in a while as far as magazine industry, and to an extend geography goes. In Canada, geography is very poorly taught in primary, elementary, and secondary school system. To make things worse, even our national popular magazine about geography, Canadian Geographic, is so abysmal we actually did not renew our subscription. So the fact that National Geographic has been purchased by Fox is really tragic. National Geographic is not a perfect magazine, but it is the best magazine on the market that promotes geographic knowledge and encourages interest in the world we live in. It has a strong American bias and a share of other issues, but we had subscription for years. I read every issue and the girls are starting to read stories that are of interest to them. I would like to think that editorial independence and high standards, especially when it comes to visuals will remain as they are or get better, but Fox’s track record is not good. Not cancelling my subscription yet, but watching closely.
After you contemplate the terrifying concentration of the global media ownership, head over to the Economist and take a look at a story that claims that the EU will soon have more internal physical barriers to movement of people than it did during the Cold War.
The rest of the links should be a little bit less pessimistic.
Lucas Foglia has been photographing American West and is concerned about what rural America will look like: “What is going to allow people to continue to live in the rural American West and how are we going to preserve or use the wild land we have left?”
Cornell University Library and its Division of Rare & Manuscript Collections has made public an amazing collection of persuasive cartography. Watch out, it’s highly addictive and you may find yourself wasting ridiculous amount of time – although, in my books, that would not be time wasted.
Two somewhat connected and fascinating stories. The first one looks at just how powerful oral traditions are as repositories of community knowledge. University of Sunshine Coast geographer Patrick Dunn’s research demonstrated that some Australian Aboriginal stories preserve environmental and ecological memories and knowledge stretching as far back as 7,000 years. The second story comes from the world of art and focuses on incredible work by an Australian Aboriginal painter Warlimpirrnga Tjapaltjarri. The fascinating thing is that his intricate paintings are not just visually impressive, but also serve as a repository of community stories. The code is incomprehensible to us, but those who understand it have an access to a lot more than a visually arresting work.
One of my favourite things to photograph in St. John’s is the Royal St. John’s Regatta. It takes place on such a massive scale and in such a uniquely St. John’s way that nothing else really compares to it. Every year, I promise myself that I will spend some time photographing the actual rowers who spend months preparing for the event and I yet have to do that. The crowds are just too compelling. Here are a few photographs from this year’s festivities.
For gear heads: This was all Tri-X in Rodinal.
If you read anything today, make it this series of exceptional stories from New York Times on lawlessness on the high seas. Most of it actually occurs in connection with illegal fishery, which is an incredibly lucrative business.
You can access the whole package through the splash page here or individual pieces:
“Sea Slaves”: The Human Misery that Feeds Pets and Livestock – on slave labour of the world’s fishing industry.
This was so good that I wanted to read all of it and have actually paid digital subscription once I hit the monthly limit of free stories. I suspected all along that if you want people to pay for your digital subscriptions you have to provide unparalleled content and New York Times provided an amazing content. There is a lesson here for Canadian newspapers if there are any real ones left out there.
Middle Cove Beach last year. Perfectly legal caplin rolling.
And so it is official now: Bojan Fürst, MA.
This is a photograph from a story on Wood Island, New Brunswick, reunion I did for CBC’s Maritime Noon many years ago and it kind of started this whole islands adventure. It’s been a great ride. If you are interested in seeing what my thesis ended up looking like scoot over to Islands of Sun and Ice page.
I am not sure where the last year went. Lots of changes. We moved to a place that allows me to have a darkroom, a tiny darkroom, but still a darkroom. I can already develop film, but making prints will take a bit more engineering to figure out how turn the whole operation vertical rather than horizontal. This should also mean that I now have no excuse not to submit something to a few competitions I have been consistently missing deadlines of for the past six years.
I turned 40. I finished my thesis – although I am still waiting to hear whether or not I actually met the requirements for my MA. So not a bad year all in all. Let’s see what this one brings along.
The photo was made on Change Islands this past summer.